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Ivan Rupnik

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The authors have drawn a parallel between their project and the 1920 Buster Keaton film One Week. In

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The ZG-pavillion 09 mimics the precarious state of the Keaton house, and through this form of oddly s

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Modernist Architecture, particularly the local strain, was never comfortable with such direct attacks

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The formal sensibility so far displayed in the production of the pavilion is a hybrid of two position

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Tafuri’s concept of experimental practice echoes the ideas of the Croatian archeologist and art histo

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The lack of a clear model for critical practice in this peripheral context is clear in a form provinc

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The Serpentine Pavilion is first and foremost a display of architectural virtuosity and through that

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The discourse around the possibility of a critical architecture reached its peak around 1980, the yea

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A Critical History and the subsequent proposals for a contemporary critical practice were based on an

Text description provided by the architects. Criticism In-Progress “It may seem, in fact, incomprehen