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tom sachs, moon, 2018, oil, latex, and synthetic polymer on plywood, 35 x 35 x 3 3/4 inches (88.9 x

tom sachs, wall drawing number one, 2017, synthetic polymer paint, pencil on plywood, 48 x 72 x 3/4

tom sachs, heidi, 2018, mixed media, 88 1/2 x 31 1/2 x 20 inches (224.8 x 80 x 50.8 cm)

front: tom sachs, the pack: lagos, 2018, mixed media 49 1/2 x 62 x 24 1/2 inches (125.7 x 157.5 x 62

tom sachs, training, 2011-2016, plywood, latex paint, steel, vertibird, yamazaki, mixed media, 44 x

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images courtesy of kogei architecture

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’til death do us part’ makes for an instagram-worthy wedding

the artwork recreates a little white wedding chapel — one of the city’s most iconic landmarks

the interior feels strangely flattened, like a sheet of paper without three dimensional qualities

the graphic designer has debuted one of his signature black and white installations

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STAND, 2018, by antony gormley installation view, philadelphia museum of art ? antony gormley image

STAND, 2018, by antony gormley installation view, philadelphia museum of art ? antony gormley image

STAND, 2018, by antony gormley installation view, philadelphia museum of art ? antony gormley image

STAND, 2018, by antony gormley installation view, philadelphia museum of art ? antony gormley image