‘STALACTITE’ has been developed by christopher bauder and boris divider

‘STALACTITE’ shown at the future site of the brussels contemporary art pompidou center

soft cushions on the floor invite spectators to slow down and gaze

the minimalist progressive audio and visual journey of the light structure runs as a continuous loop

the light animations are directly synchronized with the electronic score composed by boris divider

the audio-visual formation attains a glistening experience of focus within the madness of the 21st c

equipped with the sound of musician boris divider

layers of light composed by 360 light rods create pulsating animations

underneath the monumental installation people will gather like drips fallen from the stalactite

the gathering underneath forms a vivid counterpart to the perfectly plain and abstract architectural

it invites to ‘switch off’ the irrelevant and concentrate on the bliss of the pure audio-visual stat

the installation?floats above the audience of the bright brussels festival?2018 all images ? a. aube

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aoyama?kitamachi danchi

toei koenji apartments

kawaramachi danchi

hirao danchi

toshima gochome?danchi

shibazono danchi

nakanoshima?tamagawa?danchi

shirahige?danchi

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kawaramachi?danchi

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toshima gochome?danchi across the sumida?river

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‘nothing can even come close to equaling the visual impact of seeing this thing in live’

GMUNK and VT pro design have collaborated together for almost 8 years

all of the robots’ paths were first animated in 3D, then loaded onto controllers

‘a lot of the work we do is homage, and to take inspiration from an event so ancient and put a moder

the event was presented inside the houston post building

each arm was surrounded by a pool of water, which helped in keeping onlookers away from the machines

…and ends in one image by charles reagan hackleman

each ‘act’ of the performance begins in a hero pose… image by theo civitello

‘we approached every act not only thinking about how the robot was moving but also why it was moving

‘we wanted to create a theatrical piece that felt immersive and all-encompassing—a total takeover of

a robotic ballet with one foot in the future and one in the distant past

viewers were guided into vast chamber dominated by a pair of kuka robotic arms

the elusian mysteries were some of the most sacred rites in greek history all images courtesy of the