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Like programmed mini-towers, two vertical blocks with autonomous usage routines rise through the core

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The Museum does not have a spatial focus on purpose, but it is designed as a spatial non-hierarchical

The entire ground floor of the Museum is open to movement, conceived as an extension of the square wi

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In the dialectics of symbolism of architectural elements and tectonic culture, Frani?’s peristyle is

20165891995

The body of the building is perforated by three vertical intrusions, of which two are also visible fr

The Museum is marked by refined design details on a micro-scale. The main stairs are L-shaped at the

Frani? formed the body of the building as a geometrically very simple solid of approximately square g

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Exhibition spaces are not articulated either as a classical series of “white cubes” or as entirely op

20165891982

Frani?’s project generates “its own city-planning” within the borders of the parcel and forms an ampl

20165891980

Public spaces are almost brutal in their articulation; these are mostly elements like platforms eleva

Text description provided by the architects. At a place that at the time of the competition had no ur