How illustrating his favourite songs led Ardneks to work with his dream bands

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X. It’s what’s happening

365 PROJECT: Month 1

365 PROJECT: Month 1

365 PROJECT: Month 1

IDEA #377 — The sprout of Japanese graphic design ─ Attitudes of 21 young designers - Draw Down

FISK

FISK

FISK

FISK

FISK

FISK

FISK

FISK

FISK

Poster - changph.com

Poster - changph.com

Poster - changph.com

Poster - changph.com

Poster - changph.com

Polish graphic designer Natalia Pawlak on bad taste and reinterpreting Polish kitsch

Polish graphic designer Natalia Pawlak on bad taste and reinterpreting Polish kitsch

Daniel Wenzel faces the question of automation in creativity head-on in Automatic Type Design

Basile Fournier speculates on how technology will affect the role of the future designer

Basile Fournier speculates on how technology will affect the role of the future designer

Sometimes Always’ identity for S?o Paulo bar Caracol has over 10 billion compositions

Design studio Jugoceania is ready to embrace the unknown through its ever-expanding practice

Air Max Day '18 — Claire Kang

Air Max Day '18 — Claire Kang

Air Max Day '18 — Claire Kang

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.New year card 2016

.The Colors in Korean Life and Culture

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?? 155 BORDER 155

.Doomchit Hangeul

Ikki Kobayashi’s new series investigates the tension between shapes and negative space

Suzy Chan’s portfolio boasts original graphic design, animation, typography and so much more

Suzy Chan’s portfolio boasts original graphic design, animation, typography and so much more

Suzy Chan’s portfolio boasts original graphic design, animation, typography and so much more

Stefanie Tam’s graphic design grounds conceptual thinking in compelling visuals

éCAL graduate David Massara honours the rich history of graphic design in his research-led portfolio

éCAL graduate David Massara honours the rich history of graphic design in his research-led portfolio

éCAL graduate David Massara honours the rich history of graphic design in his research-led portfolio

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Polish graphic designer Natalia Pawlak on bad taste and reinterpreting Polish kitsch