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shohei shigematsu with exhibition curator andrew bolton image by albert vecerka

the entrance to the exhibition, which remains on display until august 14, 2016 image by albert vecer

traditional techniques are presented?alongside innovative technologies such as 3D-printing image by

the PVC scrim is also used at the exhibition’s lower level image by brett beyer

the split level intervention hosts a sequence of case studies image by brett beyer

haute couture and ready-to-wear items are grouped into distinct categories image by albert vecerka

a series of?pochés form part of the immersive ‘ghost cathedral’ image by albert vecerka

in total, more than 170 individual garments are presented image by albert vecerka

the first floor unfolds as a series of alcoves built around?the architecture of the gallery image by

an abstracted version of the dress’s pattern is projected onto the domed ceiling image by brett beye

OMA has transformed the previously existing atrium using a temporary floor image by brett beyer

a haute couture wedding dress by karl lagerfeld forms the centerpiece of the exhibition image by bre

a perforated white scrim offers varying degrees of transparency image by albert vecerka (also main i

shohei shigematsu discusses OMA's exhibition design for manus x machina

Design artwork

Design artwork

Design artwork

Design artwork

Design artwork

Design artwork

Design artwork

Design artwork

Design artwork

Design artwork

Design artwork

Design artwork

Design artwork

Design artwork

Design artwork

shohei shigematsu with exhibition curator andrew bolton image by albert vecerka

the entrance to the exhibition, which remains on display until august 14, 2016 image by albert vecerk

traditional techniques are presented?alongside innovative technologies such as 3D-printing image by a

the PVC scrim is also used at the exhibition’s lower level image by brett beyer

the split level intervention hosts a sequence of case studies image by brett beyer